Thinking of Him  (2014)

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The Dilemma of Love II by Anjan Patra (2016)
36 in x 18 in, Tempera On Canvas

...In this 36" x 18" Tempera on Canvas painting by artist Anjan Patra, the artist depicts a scene about the dilemma of love. Anjan Patra B.V.A ( Hons) from Indian Painting from Govt. Art college, has participated in Shows at the Birla Academy, A.I.F.A.C , Academy Annual ,Tathya Kendra, State Acade, National Exhibition, Camlin India. He was awarded The Certificate of Merit from the National Board in 2006. Although figurative in style, Anjan has chosen a less popular, tougher medium of Tempera, on canvas or board, in which he uses naturally ground vegetable pigments & combines them with a paste from the babool tree to use as a binder. This technique results in a superb finish, which is matt & refined, & the longevity even in humid conditions, phenomenal. Anjan has been trained in the school of Indian Painting ,& inspired by Indian miniature paintings, which is reflected in his use of flat colours & clever use of negative & positive space, vis a vis the Western school of painting, which relies more on bringing its subjects to life thorough light, shade & perspective.There is a tendency to give a rich network of intricate patterns symbolizing the labyrinth of the character's thought process & inner beauty or turmoil, as the case may be. Anjan's subjects are a statement on society, reflected through facial expressions & body language of his characters. Sometimes, it is a comment on poverty, other times it's old age & at others,a satire on the wealthy. It is that particular moment which counts, in a language all his own

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The Last Sipper by Anjan Patra (2016)
36 in x 48 in, Tempera On Canvas

...This painting is a play on the famous painting "Last Supper". Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, Leonardo da Vinci's late 1490s mural painting in Milan, Italy, being the best-known example. The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his Apostles in Jerusalem before his crucifixion. The Last Supper is commemorated by Christians especially on Maundy Thursday. The artist Anjan Patra A B.V.A ( Hons), Indian Painting from Govt. Art college, has participated in Shows at the Birla Academy, A.I.F.A.C , Academy Annual ,Tathya Kendra, State Acade, National Exhibition, Camlin India. He was awarded The Certificate of Merit from the National Board in 2006. Although figurative in style, Anjan has chosen a less popular, tougher medium of Tempera, on canvas or board, in which he uses naturally ground vegetable pigments & combines them with a paste from the babool tree to use as a binder. This technique results in a superb finish, which is matt & refined, & the longevity even in humid conditions, phenomenal. Anjan has been trained in the school of Indian Painting ,& inspired by Indian miniature paintings, which is reflected in his use of flat colours & clever use of negative & positive space, vis a vis the Western school of painting, which relies more on bringing its subjects to life thorough light, shade & perspective.There is a tendency to give a rich network of intricate patterns symbolizing the labyrinth of the character's thought process & inner beauty or turmoil, as the case may be. Anjan's subjects are a statement on society, reflected through facial expressions & body language of his characters. Sometimes, it is a comment on poverty, other times it's old age & at others,a satire on the wealthy. It is that particular moment which counts, in a language all his own.

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His highness by Anjan Patra (2011)
48 in x 36 in, tempera on canvas

...His highness

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After the bath by Anjan Patra (2015)
36 in x 18 in, tempera on canvas

...After the bath

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A Meaningful Chatter by Anjan Patra (2015)
36 in x 36 in, Tempera on canvas

...Anjan Patra's subjects are a statement on society, reflected through facial expressions & body language of his characters. ' A Meaningful Chatter’, a 3 x 3 ft canvas, is dedicated to two young women, completely absorbed in their conversation, which is of paramount importance in the context of that particular moment. There is a rich network of intricate patterns symbolizing the labyrinth of the character's thought process as well as an effective backdrop which highlights the work.

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After the letter by Anjan Patra (2015)
36 in x 18 in, Tempera on canvas

...' After the Letter', a poignant 36 x 18 inch canvas by hugely talented & unconventional artist Anjan Patra has a story; a narrative element which throws up many interesting theories & makes us ponder. Richly patterned & textured, this is a masterpiece !

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The dilemma of love by Anjan Patra (2015)
36 in x 18 in, Tempera on canvas

...'The Dilemma of Love', a 36 x 18 inch canvas by Anjan Patra presents the interesting predicament of being in love with more than one woman and having to choose The One. Along with vivid facial expressions, the complex situation has been enhanced by textures and patterns to highlight the emotion, thereby accentuating the dramatic content of the narrative.

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Waiting for him by Anjan Patra (2015)
60 in x 48 in, tempera on canvas

...Waiting for him

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Thinking of Him by Anjan Patra (2014)
48 in x 24 in, Tempera on Canvas

...'Thinking of Him' is an interesting composition by the award-winning artist, where the lady is shown waiting after having ordered two cups of coffee. She has come dressed up for the occasion & hasn't given up hope. This is an example of the artist's flat tempera style of painting, inspired by Indian miniature paintings of the last century.

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The Dilemma of Love II by Anjan Patra (2016)
36 in x 18 in, Tempera On Canvas

...In this 36" x 18" Tempera on Canvas painting by artist Anjan Patra, the artist depicts a scene about the dilemma of love. Anjan Patra B.V.A ( Hons) from Indian Painting from Govt. Art college, has participated in Shows at the Birla Academy, A.I.F.A.C , Academy Annual ,Tathya Kendra, State Acade, National Exhibition, Camlin India. He was awarded The Certificate of Merit from the National Board in 2006. Although figurative in style, Anjan has chosen a less popular, tougher medium of Tempera, on canvas or board, in which he uses naturally ground vegetable pigments & combines them with a paste from the babool tree to use as a binder. This technique results in a superb finish, which is matt & refined, & the longevity even in humid conditions, phenomenal. Anjan has been trained in the school of Indian Painting ,& inspired by Indian miniature paintings, which is reflected in his use of flat colours & clever use of negative & positive space, vis a vis the Western school of painting, which relies more on bringing its subjects to life thorough light, shade & perspective.There is a tendency to give a rich network of intricate patterns symbolizing the labyrinth of the character's thought process & inner beauty or turmoil, as the case may be. Anjan's subjects are a statement on society, reflected through facial expressions & body language of his characters. Sometimes, it is a comment on poverty, other times it's old age & at others,a satire on the wealthy. It is that particular moment which counts, in a language all his own

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